Posts Tagged ‘Studios’

Photo Gallery: Sid Cahuenga’s One-Of-A-Kind Shop Now MyMagic+ Service Center

by on November 18, 2013

Walt Disney World DHS Sid Cahuenga's MyMagic+ Photos

Welcome to Sid Cahuenga’s One-Of-a-Kind MyMagic+ service center.

As Rikki Niblett reported earlier today, Sid Cahuenga’s One-of-a-Kind Antiques and Curious shop at Walt Disney World‘s Disney Hollywood Studios is no longer a retail location, and as of today (Monday, November 18 2013) it has been converted into a MyMagic+ guest service center.

Instead of the screen-worn costumes and signed photographs that have filled the shop since the park opened (as the Disney/MGM Studios) you will find a dozen iPads running the MyDisneyExperience app, and a couple cast members happy to attempt to adjust your FastPass+ reservations or solve similar issues.

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Design: The Hollywood Studios Arrival Experience

by on November 2, 2009

Not long ago, I was privileged to be a guest on the world famous WDW Today Podcast. I get my WDW news fix three times a week from Matt, Mike, Mike, and Len. The show topic was the design behind the arrival experience at each of the 4 parks. Making a great first impression is one of the hallmarks of the Disney parks. So let’s try and get into the head of the Imagineers and figure out why each entrance is unique but distinctly Disney.  If you go to Samland you can see the fully illustrated version of this article.

Welcome to the Disney’s Hollywood Studios (DHS, formerly the Disney-MGM Studios), the “Hollywood that never was – and always will be” as the opening proclamation stated. Welcome to the Disney theme park version 2.0. You have entered one of the most influential parks in the entire Disney Empire.

If Disneyland, the Magic Kingdom, Epcot, Tokyo Disneyland, and Disneyland Paris are directly related, then the Studios set the mold for such parks as Disney’s California Adventure, Hong Kong Disneyland, and Walt Disney Studio’s in Paris. Instead of fully realized, immersive environments, with monstrous budgets, the Studios pointed toward a sort of MBA solution – a just in time theme park. Build it small and quickly add capacity as necessary. This solution has influenced the DHS arrival experience.

DHS was the first park built with a bus system in mind. At both the Magic Kingdom and Epcot, the buses are tucked away at the side. At DHS, the buses are prominent at the entry plaza and the auto-parking shuttle further complicates pedestrians’ access. Toss in a boat dock and you have an orientation that is not true to north south like the other parks. The entry is at an angle which influences the way light and shadows would fall on the park’s “Main Street” wienie – currently the giant hat but formerly Grauman’s Chinese Theater.

Walking through the main gates is a combination of a Hollywood postcard comes to life and a bit of time travel through iconic Los Angeles pieces of architecture. The Imagineers would tap into the collective consciousness of moviegoers and recreate a glamorous dreamlike vision of the Hollywood. They use real Los Angeles buildings the same way the early film companies filmed throughout the southland.

It all starts with the Pan-Pacific Auditorium. This iconic building was Los Angeles primary convention center from 1935 to 1972. In 1989, just 3 weeks after DHS opened, it burnt down in a spectacular fire. This is where all of the big shows, conventions, the circus, and other exhibitions were presented. The Pan-Pacific Auditorium was a wonderful example of Streamline Moderne and originally designed by Walt’s buddy, architect Welton Beckett.

This is the only park in Florida where you can see through the gates. The train, Spaceship Earth, and the Oasis block your vision in the other parks. The one major obstruction is the tribute to the 1936 Crossroads of America building. Throughout Hollywood Boulevard (and continuing Sunset Boulevard) the Imagineers use a tool called shrink and edit to tell a story. In most cases, they take a real life building and change the scale and some of the detail. In the case of the Crossroads building, it is topped by a 5’3” Mickey with one copper ear that works as a lightning rod. The Crossroads of America complex was one of Los Angeles’s first mini-malls.

Tomorrow you will need to go to Samland and we will push through those entry gates and take a look around the entry plaza.

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